What’s Your Chosen Writing Genre?

Three days ago, I said “I’ll talk about Documentary Historical Fiction another time.” Well, this is the time.

The online Britannica defines historical novel as a novel that has as its setting a period of history that attempts to convey the spirit, manners, and social conditions of a past age with realistic detail and fidelity to historical fact. The definition is good, but that is rarely what we find.

That presents a problem for truly historical fiction writers because readers may not know whether our writing is credible or not. Allow me to introduce Dr. Maier.

Dr. Paul L. Maier (https://www.paulmaier.com) is the Russell H. Seibert Professor of Ancient History at Western Michigan University and a much-published author of both scholarly and popular works. 

Relating to his works of historical fiction, Dr. Maier said in the preface of The Flames of Rome, “I have not tampered with known facts in retelling it – unlike almost all historical novelist – nor invented characters that could never match the kind who actually lived in this area…. But here as elsewhere in ancient history, yawning gaps in the original sources prevent any telling of the full story. I have tried to fill these in by devising a genre which I call the “documentary novel,” resorting to fiction for such connective material as well as dramatization, dialogue, and sub-plot to flesh out the story and bring its characters to life.”

Every person Dr. Maier named was a real person, but every character he created received no name in his books. Unless noted in the appendix otherwise, every event he described was actual. He constructed “history” only where there was no evidence for an event, but he remained true to life in that time frame.

I’m adding documentary historical fiction to my favorite genre list. That will help me to …

Write Creatively.

First Impressions

You’re going for a job interview. How do you dress? If you’re applying for a managerial position, don’t dress like a surfer. If you’re going for a position as a plumber, a suit and tie might not be appropriate. Your appearance, interaction, and attitude must convince the manager that you are the person for the job. First impressions are usually long-lasting, and can make the difference whether you get the job.

In a similar manner, when someone picks up your book, he or she must be quickly convinced that the book is worth reading. Your first sentence, or at least your first paragraph, must arrest the reader’s attention. For example …

In the book, APRIL 1865 (Jay Winik, HarperCollins, 2001), Mr. Winik opens his introduction with: “Atlanta had been overwhelmed. Columbia had been surrendered – and burned. Charleston had been abandoned. The peace conference at Hampton Roads had been fruitless. And the British and the French had refused to intervene.”

That opening salvo got my attention! I continued reading.

Like Jay Winik did, we must make that very important first impression in the opening lines of our book. We don’t want readers to put our book down until they devour the whole story.

And remember, the last lines of each page must prompt the reader to turn the page. The last page of the chapter should present a hook to pull the reader to the next chapter. And the first paragraph of each chapter should be a lure to entice the reader to keep reading. Yes, the book must be interesting!

All that is wrapped up in two words:

Write Creatively